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Cover for "A Twist in Time" by Julie McElwain

A Twist in Time

Julie McElwain

Description

When Kendra Donovan’s plan to return to the 21st century fails, leaving her stranded in 1815, the Duke of Aldridge believes he knows the reason—she must save his nephew, who has been accused of brutally murdering his ex-mistress.

Former FBI agent Kendra Donovan’s attempts to return to the twenty-first century have failed, leaving her stuck at Aldridge Castle in 1815. And her problems have just begun: in London, the Duke of Aldridge’s nephew Alec—Kendra’s confidante and lover—has come under suspicion for murdering his former mistress, Lady Dover, who was found viciously stabbed with a stiletto, her face carved up in a bizarre and brutal way.

Lady Dover had plenty of secrets, and her past wasn’t quite what she’d made it out to be. Nor is it entirely in the past—which becomes frighteningly clear when a crime lord emerges from London’s seamy underbelly to threaten Alec. Joining forces with Bow Street Runner Sam Kelly, Kendra must navigate the treacherous nineteenth century while she picks through the strands of Lady Dover’s life.

As the noose tightens around Alec’s neck, Kendra will do anything to save him, including following every twist and turn through London’s glittering ballrooms, where deception is the norm—and any attempt to uncover the truth will get someone killed.

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Cover for "The Ornithologist's Field Guide to Love" by India Holton

The Ornithologist's Field Guide to Love

India Holton

Description

INSTANT USA TODAY BESTSELLER!

"So riotously clever it almost defies description...an alchemy of romantic elements held in perfect harmony."—NPR

Rival ornithologists hunt through England for a rare magical bird in this historical-fantasy rom-com reminiscent of Indiana Jones but with manners, tea, and helicopter parasols.

Beth Pickering is on the verge of finally capturing the rare deathwhistler bird when Professor Devon Lockley swoops in, stealing both her bird and her imagination like a villain. Albeit a handsome and charming villain, but that's beside the point. As someone highly educated in the ruthless discipline of ornithology, Beth knows trouble when she sees it, and she is determined to keep her distance from Devon. 

For his part, Devon has never been more smitten than when he first set eyes on Professor Beth Pickering. She's so pretty, so polite, so capable of bringing down a fiery, deadly bird using only her wits. In other words, an angel. Devon understands he must not get close to her, however, since they're professional rivals. 

When a competition to become Birder of the Year by capturing an endangered caladrius bird is announced, Beth and Devon are forced to team up to have any chance of winning. Now keeping their distance becomes a question of one bed or two. But they must take the risk, because fowl play is afoot, and they can't trust anyone else—for all may be fair in love and war, but this is ornithology.

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Cover for "Daughter of Smoke & Bone" by Laini Taylor

Daughter of Smoke & Bone

Laini Taylor

Description

Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky.

In a dark and dusty shop, a devil's supply of human teeth grown dangerously low.

And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherwordly war.

Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she's prone to disappearing on mysterious "errands"; she speaks many languages--not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she's about to find out.

When one of the strangers--beautiful, haunted Akiva--fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?

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Cover for "How to Walk Away" by Katherine Center

How to Walk Away

Katherine Center

Description

From the author of Happiness for Beginners comes the instant New York Times bestseller (May 2018), an unforgettable love story about finding joy even in the darkest of circumstances. 

Margaret Jacobsen is just about to step into the bright future she’s worked for so hard and so long: a new dream job, a fiancé she adores, and the promise of a picture-perfect life just around the corner. Then, suddenly, on what should have been one of the happiest days of her life, everything she worked for is taken away in a brief, tumultuous moment. 

In the hospital and forced to face the possibility that nothing will ever be the same again, Maggie must confront the unthinkable. First there is her fiancé, Chip, who wallows in self-pity while simultaneously expecting to be forgiven. Then, there's her sister Kit, who shows up after pulling a three-year vanishing act. Finally, there's Ian, her physical therapist, the one the nurses said was too tough for her. Ian, who won't let her give in to her pity, and who sees her like no one has seen her before. Sometimes the last thing you want is the one thing you need. Sometimes we all need someone to catch us when we fall. And sometimes love can find us in the least likely place we would ever expect. 

How to Walk Away is Katherine Center at her very best—a masterpiece of a novel that is both hopeful and hilarious; truthful and wise; tender and brave.

Praise for How to Walk Away:

"A heartbreak of a novel that celebrates resilience and strength." —Jill Santopolo, bestselling author of The Light We Lost

"If you just read one book this year, read How to Walk Away." —Nina George, New York Times bestselling author of The Little Paris Bookshop

"Warm, witty, and wonderfully observed." —Emily Giffin, New York Times bestselling author of First Comes Love

"Sympathetic and refreshing!" —Elinor Lipman, bestselling author of The Family Man

"I can't think of a blurb good enough for this novel...poignant, funny, heartbreaking." —Jenny Lawson, bestselling author of Furiously Happy

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Cover for "The Atlas of Us" by Kristin Dwyer

The Atlas of Us

Kristin Dwyer

Description



 

"A complete knockout. Readers will be thinking of this story long after they finish the final page." --Adalyn Grace, New York Times bestselling author of Belladonna

"Utterly compelling and impossible to put down." --Rachel Griffin, New York Times bestselling author of Bring Me Your Midnight

"I've never read a book that felt so much like picking up pieces of a broken heart--powerful, poignant, and true." --Axie Oh, New York Times bestselling author of The Girl Who Fell Beneath the Sea and XOXO

Atlas has lost her way.

In a last-ditch effort to pull her life together, she's working on a community service program rehabbing trails in the Western Sierras. The only plus is that the days are so exhausting that Atlas might just be tired enough to forget that this was one of her dad's favorite places in the world. Before cancer stole him from her life, that is.

Using real names is forbidden on the trail. So Atlas becomes Maps, and with her team--Books, Sugar, Junior, and King--she heads into the wilderness. As she sheds the lies she's built up as walls to protect herself, she realizes that four strangers might know her better than anyone has before. And with the end of the trail racing to meet them, Maps is left counting down the days until she returns to her old life--without her new family, and without King, who's become more than just a friend.

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Cover for "The Cold Dish" by Craig Johnson

The Cold Dish

Craig Johnson

Description

Introducing Wyoming’s Sheriff Walt Longmire in this riveting novel from the New York Times bestselling author of Hell Is Empty and As the Crow Flies, the first in the Longmire Mystery Series, the basis for LONGMIRE, the hit Netflix original drama series.

Fans of Ace Atkins, Nevada Barr and Robert B. Parker will love this outstanding first novel, in which New York Times bestselling author Craig Johnson introduces Sheriff Walt Longmire of Wyoming’s Absaroka County. Johnson draws on his deep attachment to the American West to produce a literary mystery of stunning authenticity, and full of memorable characters. After twenty-five years as sheriff of Absaroka County, Walt Longmire’s hopes of finishing out his tenure in peace are dashed when Cody Pritchard is found dead near the Northern Cheyenne Reservation. Two years earlier, Cody has been one of four high school boys given suspended sentences for raping a local Cheyenne girl. Somebody, it would seem, is seeking vengeance, and Longmire might be the only thing standing between the three remaining boys and a Sharps .45-70 rifle.

With lifelong friend Henry Standing Bear, Deputy Victoria Moretti, and a cast of characters both tragic and humorous enough to fill in the vast emptiness of the high plains, Walt Longmire attempts to see that revenge, a dish best served cold, is never served at all.

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Cover for "The Man Who Mistook His Wife For A Hat: And Other Clinical Tales" by Oliver Sacks

The Man Who Mistook His Wife For A Hat: And Other Clinical Tales

Oliver Sacks

Description

In his most extraordinary book, “one of the great clinical writers of the twentieth century” (The New York Times) recounts the case histories of patients lost in the bizarre, apparently inescapable world of neurological disorders.

Oliver Sacks’s The Man Who Mistook His Wife for a Hat tells the stories of individuals afflicted with fantastic perceptual and intellectual aberrations: patients who have lost their memories and with them the greater part of their pasts; who are no longer able to recognize people and common objects; who are stricken with violent tics and grimaces or who shout involuntary obscenities; whose limbs have become alien; who have been dismissed as retarded yet are gifted with uncanny artistic or mathematical talents. 

If inconceivably strange, these brilliant tales remain, in Dr. Sacks’s splendid and sympathetic telling, deeply human. They are studies of life struggling against incredible adversity, and they enable us to enter the world of the neurologically impaired, to imagine with our hearts what it must be to live and feel as they do. A great healer, Sacks never loses sight of medicine’s ultimate responsibility: “the suffering, afflicted, fighting human subject.”

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Cover for "To Sir Phillip, with Love" by Julia Quinn

To Sir Phillip, with Love

Julia Quinn

Description

ELOISE'S STORY

Sir Phillip knew that Eloise Bridgerton was a spinster, and so he'd proposed, figuring that she'd be homely and unassuming, and more than a little desperate for an offer of marriage. Except . . . she wasn't. The beautiful woman on his doorstep was anything but quiet, and when she stopped talking long enough to close her mouth, all he wanted to do was kiss her . . . and more.

Did he think she was mad? Eloise Bridgerton couldn't marry a man she had never met. But then she started thinking . . . and wondering . . . and before she knew it, she was in a hired carriage in the middle of the night, on her way to meet the man she hoped might be her perfect match. Except . . . he wasn't. Her perfect husband wouldn't be so moody and ill-mannered, and while Phillip was certainly handsome, he was a large brute of a man, rough and rugged, and totally unlike the London gentlemen vying for her hand. But when he smiled . . . and when he kissed her . . . the rest of the world simply fell away, and she couldn't help but wonder . . . could this imperfect man be perfect for her?

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Cover for "Eat a Peach" by David Chang

Eat a Peach

David Chang

Description

NEW YORK TIMES BESTSELLER • From the chef behind Momofuku and star of Netflix’s Ugly Delicious—an intimate account of the making of a chef, the story of the modern restaurant world that he helped shape, and how he discovered that success can be much harder to understand than failure.

ONE OF THE BEST BOOKS OF THE YEAR: NPR, Fortune, Parade, The New York Public Library, Garden & Gun

In 2004, Momofuku Noodle Bar opened in a tiny, stark space in Manhattan’s East Village. Its young chef-owner, David Chang, worked the line, serving ramen and pork buns to a mix of fellow restaurant cooks and confused diners whose idea of ramen was instant noodles in Styrofoam cups. It would have been impossible to know it at the time—and certainly Chang would have bet against himself—but he, who had failed at almost every endeavor in his life, was about to become one of the most influential chefs of his generation, driven by the question, “What if the underground could become the mainstream?”
 
Chang grew up the youngest son of a deeply religious Korean American family in Virginia. Graduating college aimless and depressed, he fled the States for Japan, hoping to find some sense of belonging. While teaching English in a backwater town, he experienced the highs of his first full-blown manic episode, and began to think that the cooking and sharing of food could give him both purpose and agency in his life.

Full of grace, candor, grit, and humor, Eat a Peach chronicles Chang’s switchback path. He lays bare his mistakes and wonders about his extraordinary luck as he recounts the improbable series of events that led him to the top of his profession. He wrestles with his lifelong feelings of otherness and inadequacy, explores the mental illness that almost killed him, and finds hope in the shared value of deliciousness. Along the way, Chang gives us a penetrating look at restaurant life, in which he balances his deep love for the kitchen with unflinching honesty about the industry’s history of brutishness and its uncertain future. 
 

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Cover for "The Woman in the White Kimono" by Ana Johns

The Woman in the White Kimono

Ana Johns

Description

Oceans and decades apart, two women are inextricably bound by the secrets between them.

Japan, 1957. Seventeen-year-old Naoko Nakamura's prearranged marriage to the son of her father's business associate would secure her family's status in their traditional Japanese community, but Naoko has fallen for another man--an American sailor, a gaijin--and to marry him would bring great shame upon her entire family. When it's learned Naoko carries the sailor's child, she's cast out in disgrace and forced to make unimaginable choices with consequences that will ripple across generations.

America, present day. Tori Kovac, caring for her dying father, finds a letter containing a shocking revelation--one that calls into question everything she understood about him, her family and herself. Setting out to learn the truth behind the letter, Tori's journey leads her halfway around the world to a remote seaside village in Japan, where she must confront the demons of the past to pave a way for redemption.

In breathtaking prose and inspired by true stories from a devastating and little-known era in Japanese and American history, The Woman in the White Kimono illuminates a searing portrait of one woman torn between her culture and her heart, and another woman on a journey to discover the true meaning of home.

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Cover for "A Sorceress Comes to Call" by T. Kingfisher

A Sorceress Comes to Call

T. Kingfisher

Description

Named a Best Fantasy Book of the Year by NPR, Elle, and Paste

A Goodreads Best Fantasy Choice Award Nominee

From New York Times bestselling and Hugo Award-winning author T. Kingfisher comes A Sorceress Comes to Call—a dark reimagining of the Brothers Grimm's "The Goose Girl," rife with secrets, murder, and forbidden magic.

*The hardcover edition features a foil stamp on the casing and custom endpapers illustrated by the author.*

Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him.

But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t evil sorcerers.

When her mother unexpectedly moves them into the manor home of a wealthy older Squire and his kind but keen-eyed sister, Hester, Cordelia knows this welcoming pair are to be her mother's next victims. But Cordelia feels at home for the very first time among these people, and as her mother's plans darken, she must decide how to face the woman who raised her to save the people who have become like family.

"Kingfisher never fails to dazzle."—Peter S. Beagle, Hugo, Nebula, and Locus Award-winning author of The Last Unicorn

"Kingfisher is an inventive fantasy powerhouse."—BookPage

Also by T. Kingfisher
Nettle & Bone
Thornhedge
What Moves the Dead
What Feasts at Night
A House with Good Bones

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Cover for "Dashed" by Amanda Quain

Dashed

Amanda Quain

Description

In this contemporary update of Sense and Sensibility, Margaret Dashwood is setting sail on an adventurous summer cruise—unless love sinks her first.

Margaret Dashwood lives her life according to plan, and it involves absolutely zero heartbreak, thank you very much. Five years ago, love tore her family apart, and since then, she’s kept her own heart as safe as possible. It hasn’t been easy, especially since her sister Marianne—the world’s biggest romantic—has conveniently forgotten that love burned her so badly she literally almost died. So when their oldest sister Elinor invites Margaret along for a Marianne-free summer cruise, she can’t wait to soak up every scheduled moment with sensible Elinor before heading off to college. 

But just before they set sail, a newly-single Marianne announces that she’s crashing their vacation. Suddenly, Margaret’s itineraries are thrown overboard, and the ship’s cabin feels even tinier with her sister wailing about her breakup from the bottom bunk. The only solution? Find Marianne a dose of love to tide her over until they reach land.

With help from Elinor, her husband Edward, and Gabe—a distractingly handsome new friend on the crew—Margaret sets out to create a series of elaborate fake dates that will give Marianne the spontaneously curated summer romance of a lifetime. But between a chaotic sister, the growing storm of feelings between Margaret and Gabe, and an actual storm on the horizon, this summer is destined to go off course. Margaret will have to decide what’s more important—following the plan, or following her heart.

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Cover for "Girls and Their Monsters" by Audrey Clare Farley

Girls and Their Monsters

Audrey Clare Farley

Description

For readers of Hidden Valley Road and Patient H.M., an "intimate and compassionate portrait" (Grace M. Cho) of the Genain quadruplets, the harrowing violence they experienced, and its psychological and political consequences.​



In 1954, researchers at the newly formed National Institute of Mental Health set out to study the genetics of schizophrenia. When they got word that four 24-year-old identical quadruplets in Lansing, Michigan, had all been diagnosed with the mental illness, they could hardly believe their ears. Here was incontrovertible proof of hereditary transmission and, thus, a chance to bring international fame to their fledgling institution.



The case of the pseudonymous Genain quadruplets, they soon found, was hardly so straightforward. Contrary to fawning media portrayals of a picture-perfect Christian family, the sisters had endured the stuff of nightmares. Behind closed doors, their parents had taken shocking measures to preserve their innocence while sowing fears of sex and the outside world. In public, the quadruplets were treated as communal property, as townsfolk and members of the press had long ago projected their own paranoid fantasies about the rapidly diversifying American landscape onto the fair-skinned, ribbon-wearing quartet who danced and sang about Christopher Columbus. Even as the sisters' erratic behaviors became impossible to ignore and the NIMH whisked the women off for study, their sterling image did not falter.



Girls and Their Monsters chronicles the extraordinary lives of the quadruplets and the lead psychologist who studied them, asking questions that speak directly to our times: How do delusions come to take root, both in individuals and in nations? Why does society profess to be "saving the children" when it readily exploits them? What are the authoritarian ends of innocence myths? And how do people, particularly those with serious mental illness, go on after enduring the unspeakable? Can the unbreakable bonds of sisterhood help the deeply wounded heal?

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Cover for "Rick Riordan Presents: a Drop of Venom" by Sajni Patel

Rick Riordan Presents: a Drop of Venom

Sajni Patel

Description

Circe goes YA in this unapologetically feminist retelling of the Medusa myth steeped in Indian mythology, a YA epic fantasy addition to the Rick Riordan Presents imprint.


All monsters and heroes have beginnings. This is mine.

Sixteen-year-old Manisha is no stranger to monsters-she's been running from them for years, from beasts who roam the jungle to the King's army, who forced her people, the naga, to scatter to the ends of the earth. You might think that the kingdom's famed holy temples atop the floating mountains, where Manisha is now a priestess, would be safe-but you would be wrong.

Seventeen-year-old Pratyush is a famed slayer of monsters, one of the King's most prized warriors and a frequent visitor to the floating temples. For every monster the slayer kills, years are added to his life. You might think such a powerful warrior could do whatever he wants, but true power lies with the King. Tired after years of fighting, Pratyush wants nothing more than a peaceful, respectable life.

When Pratyush and Manisha meet, each sees in the other the possibility to chart a new path. Unfortunately, the kingdom's powerful have other plans. A temple visitor sexually assaults Manisha and pushes her off the mountain into a pit of vipers. A month later, the King sends Pratyush off to kill one last monster (a powerful nagin who has been turning men to stone) before he'll consider granting the slayer his freedom.

Except Manisha doesn't die, despite the hundreds of snake bites covering her body and the venom running through her veins. She rises from the pit more powerful than ever before, with heightened senses, armor-like skin, and blood that can turn people to stone. And Pratyush doesn't know it, but the "monster" he's been sent to kill is none other than the girl he wants to marry.

Alternating between Manisha's and Pratyush's perspectives, Sajni Patel weaves together lush language, high stakes, and page-turning suspense, demanding an answer to the question "What does it truly mean to be a monster?"

Endorsed by Rick Riordan, author of Percy Jackson and the Olympians, now a hit series on Disney+.

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Cover for "Baking Yesteryear" by B Dylan Hollis

Baking Yesteryear

B. Dylan Hollis

Description

The #1 New York Times Bestseller

A decade-by-decade cookbook that highlights the best (and a few of the worst) baking recipes from the 20th century

Friends of baking, are you sick and tired of making the same recipes again and again? Then look no further than this baking blast from the past, as B. Dylan Hollis highlights the most unique tasty treats of yesteryear.

Travel back in time on a delicious decade-by-decade jaunt as Dylan shows you how to bake vintage forgotten greats. With a big pinch of fun and a full cup of humor, you'll be baking everything from Chocolate Potato Cake from the 1910s to Avocado Pie from the 1960s.

Dylan has baked hundreds of recipes from countless antique cookbooks and selected only the best for this bakebook, sharing the shining stars from each decade. And because some of the recipes Dylan shares on his wildly popular social media channels are spectacular failures, he's thrown in a few of the most disastrously strange recipes for you to try if you dare.

A few of Dylan's favorites that are going to have you licking your lips and begging for more include: 
● 1900s Cornflake Macaroons
● 1910s ANZAC Biscuits
● 1930s Peanut Butter Bread
● 1940s Chocolate Sauerkraut Cake
● 1950s Tomato Soup Cake
● 1970s Potato Chip Cookies

Baking Yesteryear contains 101 expertly curated recipes that will take you on a delicious journey through the past. With a larger-than-life personality and comedic puns galore, baking with Dylan never gets old. We'll leave that to the recipes.

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